
Shreyas Talpade, who was immensely likeable in the sporty Iqbal (also directed by Kukunoor), has a breezy supporting role in Dor. I have never seen an Ayesha Takia movie before but she fits her character like a glove. That subtle dance move by her in an empty street was so nice. But it was really Gul Panag who affected me the most. Unconventionally beautiful and with great screen presence, it is hard to believe that she was once just another Miss India.
When the climax of the movie began, I was pretty sure that I knew exactly how the climax would play out. The way it actually happened left me overwhelmed. But even without that final touch in the climax, Dor would still have been a great piece of moviemaking. The background score is at times hummable. Of the songs, Imaan Ka Asar and Yeh Honsla are the pick of the lot.
Another thing that this movie made me realize (or re-realize) was the grandeur of India's terrain. I had always thought of Himachal Pradesh, where the independent Zeenat (Gul Panag) lives, as just another Indian state. But the movie does a great job of capturing the cool, lush bliss of the state's valleys and mountains before making the trek to the land of the Rajputs (where the docile Meera, played by Ayesha Takia, lives). I can't help but wonder how this movie would have appeared on the big screen.
I hesitate to put Kukunoor in the same league as a Maniratnam (it might be too early) but Dor definitely has opened a door somewhere within me.
1 comment:
i liked Iqbal.
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